搜索"홶" ，找到 部影视作品
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菲利普教授（罗宾·威廉姆斯 Robin Williams 饰）对研究工作的痴迷就像瘾君子沉溺毒品般，终日为了研究忙得不可开交，甚至因此已经错过了自己的两次结婚典礼。眼下第三次大婚的钟声已来到门外，菲利普的研究却出现了重大突破，毫无意外，他再一次因此错过了婚礼，留未婚妻莎拉（马西娅·盖伊·哈登 Marcia Gay Harden 饰）在教堂苦苦等候，怨言满腹。菲利普看着被他称为“飞天法宝”的新发明——一种绿色的胶状物质，能够克服地心引力，只需将它涂在任何物体上，那个物体就会腾空而起。不过这种物质也有个难以捉摸的特性，随时会捉弄一下使用它的人。为了追回被他气走的未婚妻，同时挽救即将关闭的学校，菲利普教授将飞天法宝涂在校篮球队员的球鞋上，结果球队大获全胜。然而同时，也招来了别有用心者对飞天法宝的觊觎……
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美丽女孩瑞茜·霍尔登（佐伊·丹斯切尔 Zooey Deschanel 饰）心中怀有表演的梦想，为此她从密歇根州的老家来到大都会纽约，靠着自己的勤奋取得了些许成就。她的父亲丹（埃德·哈里斯 Ed Harries 饰）曾是一名知名作家，却因爱妻之死而将近二十年再未执笔。瑞茜 和父亲的关系颇为冷淡，父女二人分别多年几无联系。某晚，演出完毕的瑞茜迎来一位不速之客，她叫劳瑞·兰斯基（艾米·麦迪甘 Amy Madigen 饰），是一个以编书为生的女人。劳瑞对丹当年写给爱妻的情书极为感兴趣，她希望瑞茜能够提供这些情书。 虽然实现了演员的梦想，但是瑞茜仍为生计所迫。在丰厚报酬的诱惑下，她决定返回阔别七年之久的老家，却未曾想到这是一次改变人生的旅程……
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本季涵盖1977年到1990年的事件，撒切尔夫人和戴安娜正式登场。 1970年代来到尾声，英女王伊丽莎白 (Olivia Colman)一家煞费苦心为年届30依旧未婚的查理斯王子 (Josh O’Connor)寻找一位得体的新娘，以确保王位后继有人；英国上下则因为首位女首相玛格丽特·撒切尔 (Gillian Anderson)提倡极具争议的政策而动荡不安。随着撒切尔夫人带领英国参战福克兰战争，继而引起英联邦之间的纷争，她和英女王的关系势如水火。此时查理斯王子与青春正盛的戴安娜·斯宾塞女爵 (Emma Corrin)童话般的爱情正好为英国人民带来一丝安慰，使他们团结起来。然而，宫廷之内，整个王室却日趋决裂。
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
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根据捷克民谣改编的七个小故事： 1.一位妇人死在归家的途中，年幼的孩子们每天去坟前看她，呼唤着陷入永眠的母亲； 2.少女不听母亲的劝告，去湖边游玩，落入水中后她与水怪结为夫妻； 3.一对情侣，男人奔赴战场，苦等多年的女子日日祈祷爱人归来，她的愿望成真； 4.一位母亲辛苦 准备晚饭，她年幼的儿子却纠缠不止。母亲一气之下，让门外的百日巫师将儿子带走，不曾想…… 5.某国君主在森林中驰骋时，撞见一个正在沐浴的绝世美女，他向女子的继母提亲，为了将亲生女儿将给国王，恶毒的老女人不惜残忍杀害继女； 6.少女承认自己堕胎，深感罪恶的她走向绞刑架，临终前向母亲发出了诅咒； 7.两个女孩聊天，传说在午夜凿开冰层，便能从水中看到爱人的样子。
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1950年代，美国女性的社会地位表面看来有了明显提高，然而在如威斯理般著名的女子大学里，教师们教授学生，仍是一切围绕将来的好姻缘打转，并不鼓励她们主动获取自己感兴趣的知识，也不注重培养她们的心里素质。美丽成熟的凯瑟琳（朱莉娅·罗伯茨 Julia Roberts 饰）大学毕业，怀揣理想和热情来到该学校担 任艺术史教师时，便因想散播自由的种子碰壁连连。 然而因为风趣、率直、热情、渊博，凯瑟琳很快赢得了学生们的喜爱，她的几个学生，想同男孩一样干出一番事业的琼（朱丽娅·斯蒂尔斯 Julia Stiles 饰）、活泼好动的丽薇（玛吉·吉伦哈尔 Maggie Gyllenhaal 饰）等，也慢慢地展露出真性情。然而，另一名学生贝蒂（克斯汀·邓斯特 Kirsten Dunst 饰）要结婚的消息，又将自由浪漫的氛围打破。
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Towani一家乘坐的星际巡洋舰在恩多卫星上坠毁了。Towani家的爸爸和妈妈和他们的两个孩子Mace与Cindel失散了。伊渥克族人——恩多卫星上的土著——找到了这两个孩子。尽管孩子们与伊渥克族的交流起初非常困难，Mace和Cindel最终还是说服了伊渥克族人帮助找寻他们的父母。